Stretched 5am on Waterloo Bridge
Posted by Ian McAdam on July 28, 2011
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20 MAY 2011
Posted by Ian McAdam on May 21, 2011
1967 six day war
1978 exuberant China
corrective ideal inevitable (give it two decades)
modern modern modern
meanwhile pop eats itself
burp after a chicken stir fry
catch a train.
freeflow deliberations… chemophysical a word from Damien
(a writing experiment)
Trucks that move in the night, massive biomass and earth substance that is like the invisible hand moving in involuntary peristalsis. Curtains twitiching with sharp tipped fingers like pointed pencils and cataract eyes that probe with curiousity and suspicion and dark edges that are like the rings under eyes. Rings on fingers fidgeted with as the full moon halo deranges minds in a harder tug, wonderment and bedevilment.
Whetstones. Ten pound blades. Bullets. Test tubes. Telescopes. Lasers. Brushes. Pens. Chisels. Carrots. Chickens. Ten pound blades. Whetstones.
Mixtures and potions and witchcraft and junctions where remembered conversations grapple away like competing rock-climbers on synthetic walls. Concrete and brick and bits of granite and wood and plaster…
Don’t know how a rock face leads to a cul de sac. Logic is a zig-zag. It’s also a music progammme. Even at acoustic concerts now, I see macs.
Musical cul de sacs where strangers exchange tears, words, melancholy, uncontainable love, that tender instinct that to be real is the only way to be. To talk your rhythm into the night, listen to a voice you know you’ll never again hear, try make mind photographs but knowing that memory slips, only so much mind-space mostly occupied by dreams and insights and sadness that droops.
Culture is a wave. Photos are things other people take of me. My photographs are words.
Bomb making factories, state and terrorist, I don’t know much about yin and yang, but if I’s publishing this in China I wouldn’t be so much liked.
Hope and commonality versus adversity. Dancing to the disarranged birds that always sing away, drowning out the nightingale, don’t know night from day and often fall, with no warning, out of trees. That’s city living for you. Paradise, ambition, profitable gain. Morality that marches ten feet in front of you in the individual race. In the western world, I’ve heard, it’s less carbon intensive to live in the city than live in the countryside… depends, of course, on how you live in the countryside, and if you have a car, and if you have distant family…
Sediment collecting and pressuring down the insistence on the natural progression of the comedic line. Changes as good as holidays and perfection like lucky mutations and the texture of semolina. Recipes pasted to the back of the inside of my head, put there with passion, anger, despair. The views from mountain tops (or Highggate Hill) which make big possible, make mind maps take form and personality, fingerprints of your consciousness. Loneliness (solitude) – isolation versus companionship (union) and the dodging of direct eye contact. Street associations blended to understanding, spatial insight tenuously solid.
the picture on my wall
used to be when a wall was a only a physical thing
I think I heard facebook mentioned fifteen times today: exquisitely sun-kissed, jasmine and orange blossoms merging, taking chances as if this is it, no rational reasons required. All those times people have told me to live in the here and now… is this the first time I’m doing this, am I Jonathon Livingston Seagull? I’ve never been much good with rapid hand eye game playing, but with individuliatic determination and tunnel insight visions creating fragments that sometimes come together in a sentient way, other times jumble and beg the question of sanity, this creative impulse urges me to make what my friend Liza calls the abstract realism. Then Damien introduced me to the idea of chemophysical insight. How he says an emotion can’t be a chemical reaction, I’ll have to ask him to describe in a way that I understand…
Mashed potato and heavy cream. Parmesan cheese replacing salt as the best seasoning. Taste and pleasure, presentation and forthright attitudes where conversation bubbles and fiction don’t exist. Tunnel vision. I think I often mention tunnels. I think I often mention individualism. I’m trying to make a point, but I don’t want to be too hard-nosed, too obvious, too bleeding heart, too computer intensive while I burn computer time.
Intensive leading from one paragraph to the next, the hospital lines, the competing interests that jostle for premiun attention only dirt poor excuse for mash in hospitals and bacteria in your wounds. Antibiotic anti trust, ongoing battle, lazy people lying on lilos, or more obviously comfortable dirty couches using communication devices. Wars and fights take many lines. Comfortable beds cost money. Hospital beds cost more. There are always bad people, even working in hospitals. Profit motives leading research. Exclusion.
Multitudinous anonymous existence thronging on the street… Massive weights moving on the sea, confusing the whales, coal fires spewing away feeding the line that just gets longer and longer… cheap is good you know. I know I like cheap. I can’t afford much more than cheap. Organic free trade lifestyles are very privileged, no matter how good they make consumers feel…
…giving way at the ticket barriers… unless I’m pushing through.
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May 2011
Posted by Ian McAdam on May 18, 2011
REDEFINING DREAMWALKS mass of solitude
(a look at conversations that think about themselves) (for Ana)
(while listening to BBC News or BBC Radio Two– they’ll tow you along — so any plagiarism is the fault of the sound-waves in my living room)
Mariana,
mass of all my memories,
you’ve captured me,
the deepest place
I know of
(give me a metal
super-tight
submarine,
that looks
like a Subway Branch,
unique and
off the shelf,
weighted with
heavy atoms
how ever expensive
they might be)
you’ve sublimed
the rear of my
brother’s car
over the Limpopo
in his boots
with his mindframe
strong and fluent
in humanity
rainbow nation
stumbled
and the chameleon is the sand…
caught here
in the city
for all
eternal time
as herbs sense spring
and grow faster still
sunlight’s better than halogen
super
reinforced.
Continental drift
infused with
youth not like china
which if old
is very expensive
youth is rare
today…
don’t
matter about the
crime or the moon-line from the sexy guy who talked on genuflects
***
Muscular Liberalism
took a holiday
in the sun
as the streets filled with
people
cast offs with
wrobs
and probs
and why
can’t you
think about
us?
the individual
with the media
face
and homogenised teeth
narrated an auto-queue
and slipped in an ad lib:
I don’t think there”s
any man
who can think
about
all of us.
And if it was so original…
would everyman
think about
him?
as more zoom shots drew in
Like “I’ve never thought about that before”… hmm.
***
CORN
corn
and fields
and acre yeilds
with moisture count
and butterflies
and the
sweetness
varies with spec (take out your binoculars)
ulation
the hops
and the insects
that live in
the hops,
and the human
chemicalision
of all life
to kill
and the fast march forward
saying
grow fast
to a place which
don’t change size
dig deeper
on
an iron
planet
Mother
space in time
you’ve given me
but that end of the morning beer,
the choices at the bar
all in a row
unable to say
what you want.
Forgotten
the value
of A ruby
And the struggle
to get to
the DJ
and say how brilliant
that April moonrise
woz
repetitive
sunshine and showers
but not in the south east
best ever moon…
music you take my life away and i get so you’re all i can think about
Rocket man
eats a rare metals bar
and says
not so precious
only heavier
as his
stomach drops out
damn, those lee-ways
THANK YOU
GO WELL
IT WILL BE damn that’s on the tail of a helicopter
who has that kinda money
as I brought tobacco late
on a Ruby
I said ruby
already and lose your mind if you can
for a little while
not forever…
you hope not forever
Time
You’ve expanded
my nervous energy
(making the air move)
breaking segments
on a naartjie
like a carnival ballon
when the red hair
of my family makes
me sit back
and wonder
on wot”s common
on who just looks like who…
camparisons
that make my mind tired,
the way a 36 year old,
looks at the world.
far out oblivion
becoming a
reason…
a real thing
what about the
south east
what bout the
north
what about Scotland?
God
save the queen
and god save
the conservative
intellect so much money
so much fucking money
and their field is
wide open
to the open
legs of
a mother
Mom, tell me how to be.
What to feel in the
time
How to while
away
a whole
360 degrees
there’s only
360 degrees
there’s only
100 percent
I wonder away again
from what I meant to say
and it fucks my mind that what
I might have thought to say
I forgot to
say
and then it went
away forever
a dull
thud
thudding at my head
like so much
electricty
Oblivion to the
post with
the Maypole flowers the street haze
and the way bicycle wheels
make wind
that winds the top
to
spinning
on a new coin.
Making mind pictures
that look nothing like
square pictures
hurts sometimes
faster
in the mud crawl nightmare
faster zoom
quick jolt back
look at this
it can’t be reality.
And I like the reflection your mind gives, like I love the up-glow light on concrete
My reality, that’s what I stop at and look at, the deep in the reality
reality there again
reality again I said
it’s the only reality
i know
it’s the only reality
I’ll let you live in
dictate to me all the time. That’s all your everyman likes
as the reality
and the perception
sword fight
with pin sharp
precision
on an Avocado Pear
and equality likes
two sides of the same coin
perfectly
balance
two
scales on each side
of a self service
Tesco till
gotta balance
the muscular
money
luck
of the human
replacement
technolgy
I want people
to be people
not things
through
money love
absorb
a passport
with the
flow
and rust
and newness
Fight against speculation
on what I eat…
That cow looks slow
let’s catch it
12 May 2011
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Work in Progress
Posted by Ian McAdam on August 12, 2010
THE 2010 COLLECTION
IAN JAMES MCADAM
Butterflies don’t tumble
they beeline…
welcome to:
the philosophical waste track
**********
1)DEPTH OF EMOTION (OR SHALLOWNESS)
Gliding over the water, skimming the surface, leaving behind me a long elongated v ripple as my wake.
The dizzying heights, lucidly reeling with that prehistoric fear.
Deep in the primordial cave, a sense of being inside the essence of everything, everything in this one breath clarified (like ghee) and understood… the ancientness of time as stalagtites-and-mites yearn for limestone union.
2) THE LIGHT OFF CONCRETE
The fashion for up-lighting, in shades of pink and blue, and all the shades in between, is beginning to wane as in this recession the trend is for mad cheer day-glo neon lighting every dull coloured, but so seen to be at, place.
…but the moonlight
…and the rare hot sun
…and the pure snow white out.
3) LIVING THE LIE
It’s been a sleepless night. So far, it’s been a guilt ridden journey, as at 4.25 am the hope and angst combine in a heady mix: the hope that he won’t be found out, that the fantasy will tangle up forever, and the angst that the guilty verdict is obviously inevitable.
Flip side mercy, please make it gentle, he shivers. Every time the eye contact is too lingering, he shivers. Cannot maintain this. Gonna break.
4) THE SHADES BETWEEN PINK AND BLUE
Where the sun dips, hazy behind-the-horizon illuminations shoot silver arrow mirages upwards.
Far up, the baby blue shades to ultramarine. A gradation which, though it only takes minutes to pass into twilight, takes up hours of his mental thinking. All these hints and hues of blue, with red watercolours permeating.
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FACEBOOK DON’T DO ITALICS
Posted by Ian McAdam on April 5, 2010
But does a billion
incomprehensibles.
While hope is
the Northern
thing as illogistic
logicises
and makes perfect
sense.
Improvised
Expressive
Dealership @ Hoxton.
Rivets well hidden
by hand crafted veneers.
(Doens’t do to show
the rust)
Even if the belly
overhangs.
Acado truck want to
be
(a beefed up van).
Loose parterships
dominate.
I like that foot tap.
Give it to me.
Give it good.
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Balloons floating past the pent hut!
Posted by Ian McAdam on February 2, 2010
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ideology fixation
Posted by Ian McAdam on January 17, 2010
The angel half lit
is my flagging imagination,
glinting in my eye
with bewildered infatuation
gradations of subtlety
to civil overdrive.
Expunging all in a
fit of regret
resurgence of the memory
I thought I’d reset.
Super achievement a long
shadow hope,
a thing to lean on
when I cannot cope.
Deepness to the shallow
shore, an inching open
of an old oak door, a
levelling of an uneven floor.
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AUGUST SPEEDING PAST
Posted by Ian McAdam on August 6, 2009
I started smoking again… I’ll try to give up again soon, but at the moment I’m enjoying it too much! I know how bad it is for me, and I know how much it is costing me… But definitely by the end of this year, I’ll have quit the disgusting habit forever (Let’s wait till January and see if this is the case!).
That’s about all the news for now, just a very quich update. More poetry will be along soon, as well as a detailed update on my new voluntary job.
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YOUTHFUL OBSESSION
Posted by Ian McAdam on June 21, 2009
Our youth obsessed culture as is increasingly seen everywhere, flies in the face of our ageing western societies. I think that this trend is sabotaging us as we head into the future, displacing perfectly adequate older people who, day by day, are becoming a larger and larger majority. Older people are no less productive than younger people, and hold the advantage of life experience, which tempers there expectations. Youth culture is full of avarice and self interest, and above that, more often copies from the past rather than creating real ‘cutting edge’ trends. Fashion, essentially, id cyclical, and to claim that youth culture is the great inventor of all today’s trends is to ignore the rich depth of our historical culture.
And the process this can bring out in young people — often creating body amorphism and other psychological disorders, adding to the pressure on our celebrity obsessed culture — differentiating between the media and real life can be difficult. Constantly being bombarded with perfect photo-shopped images puts pressure on us all, leaving older people feeling excluded. Something in this mad-cap media savvy world needs to give a knee-up to the older, frustrated generation, before we’re all too old.
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The page leers at me…
Posted by Ian McAdam on June 14, 2009
My cross is borne
on slight shoulders
my rectitude forms
dung beetle boulders.
In this recycle
shadows at noon
I push down and cycle
the city, my cocoon.
My African snakebite
my familial in-fight
my magical starlight
my aversion is my blight.
I stand here
with lost fear
and strength
in my Samson locks
free flow strewth
must rhyme like
in books
and poets who were
real, like
i dream to be.
Posted in creative process, poetry | 2 Comments »

